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Críticas 'This thoroughly comprehensive tome should be on the shelf of every film buff.''...insightful, exhaustive, and stunningly gorgeous--whether you like cartoons or not.''...a treasure trove of legendary animated history.''...one of the most exciting animation book releases of the year.''The astonishing collection of images and stories inside TASCHEN's The Walt Disney Film Archives: The Animated Movies 1921-1968 will delight both fans of American film history and of Walt Disney and his pioneering work.' Reseña del editor Esprit parmi les plus créatifs du XXe siècle, Walt Disney a élaboré un univers imaginaire unique et inégalé. Peu de classiques du 7e art ont autant révolutionné la narration cinématographique et enchanté des générations successives sur tous les continents que son incroyable collection de dessins animés.Dans cet ouvrage TASCHEN, premier volume d’une des publications illustrées les plus complètes sur les dessins animés Disney, quelque 1500 images et des essais signés par d’éminents spécialistes de Disney nous transportent en plein cœur du studio à l’époque de son «âge d’or de l’animation». Ce livre de référence retrace la fabuleuse épopée de l’animation Disney: le muet, puis le premier long-métrage, Blanche-Neige et les sept nains (1937), l’expérimental et novateur Fantasia (1940), et ses derniers chefs-d’œuvre, Winnie l’Ourson et l’arbre à miel (1966) et Le Livre de la jungle (1967).Grâce à des recherches approfondies dans les collections historiques de la Walt Disney Company et dans des collections privées, l’éditeur Daniel Kothenschulte s’appuie sur les précieuses peintures concept et les story-boards pour dévoiler le processus de fabrication de ces chefs-d’œuvre de l’animation. Les magistrales planches d’assemblage des cellules fournissent des illustrations très détaillées de scènes restées célèbres, tandis que de rares clichés pris par les photographes de Disney et des extraits des conférences de rédaction entre Walt et son équipe permettent une incursion privilégiée dans le processus créatif de l’illustre maison. Biografía del autor Daniel Kothenschulte is an author, curator, and lecturer on film and art history, and a lover of animation since he first saw The Jungle Book at the age of three. As a film journalist, he is responsible for the film section in the German national daily newspaper Frankfurter Rundschau and a regular contributor to WDR Television. He has taught at various universities, including Städelschule in Frankfurt; the University of Applied Sciences and Arts, Dortmund; and the University of Television and Film Munich. He is the author of Hollywood in the '30s and The Art of Pop Video, as well as books about Robert Redford, Fritz Lang's Metropolis, and artist Mike Kelley. In addition, he provides accompanying music to silent films on the piano.Academy Award-winning filmmaker John Lasseter maintains creative oversight of all films and associated projects from Walt Disney and Pixar Animation Studios. Lasseter made his directorial debut in 1995 with Toy Story, the world's first feature-length computer-animated film. He subsequently went on to direct A Bug's Life, Toy Story 2, Cars, and Cars 2. Lasseter has executive produced all of Pixar's films since 2001, including the 2015 release of Inside Out and Finding Dory in 2016, and has executive produced all of Walt Disney Animation Studios' films since 2006, including its most recent releases Big Hero 6 and Zootopia. He is currently directing Toy Story 4.Russell Merritt teaches in the Film and Media Department at the University of California, Berkeley. He has taught and lectured internationally on Disney, animation, silent film, and art house cinema. Together with J. B. Kaufman, he cowrote the award-winning Walt in Wonderland: The Silent Films of Walt Disney and Walt Disney's Silly Symphonies: A Companion to the Classic Cartoon Series. Merritt was senior advisor on D. W. Griffith: Father of Film, a three-part series produced for American Masters, which was nominated for an Emmy Award, and has also produced The Great Nickelodeon Show.An internationally respected animation critic and historian, Charles Solomon has written for The New York Times, Newsweek (Japan), Los Angeles Times, International Herald Tribune, Variety, Télérama, and National Public Radio and is the author of 17 books on animation, including Once Upon a Dream: From Perrault's Sleeping Beauty to Disney's Maleficent and Enchanted Drawings: The History of Animation, which was a New York Times Notable Book of the Year and the first film book nominated for a National Book Critics Circle Award. In 2008, Solomon received the LA Press Club Award for radio feature reporting and ASIFA-Hollywood's June Foray Award in 2015.Robin Allan (1934-2014) was the author of the groundbreaking Walt Disney and Europe, the accumulation of 10 years of study on both sides of the Atlantic and the inspiration behind the seminal 2006/07 exhibition Il était une fois Walt Disney at the Grand Palais, Paris; Musée des beaux-arts de Montréal; and Kunsthalle München. Allan published two children's books and many articles on Disney and lectured on the subject in Britain, North America, France, and Germany. He donated much of his collection and research archives to the Bill Douglas Cinema Museum at Exeter University, England.


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